Cool Smoothness

Ecstacy Fallin'

An extremely addictive groove song with lots of tasty layers that are filled with cool rhythmic goodness.

Ecstacy Fallin'

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INSTRUMENTATION

Vocal - Lee Fitzsimmons * Acoustic piano - Lee Fitzsimmons * Fender Rhodes keyboard - Lee Fitzsimmons

Bass - Lee Fitzsimmons * Drums, bongos, congas, tambourine, and triangle - Lee Fitzsimmons

Tenor Sax

LYRICS

Time time movin' away, baby just hip hip hoppin' today, as we take take all of ourselves and keep on bop bop boppin' so well.

Baby just good good timin' away that keeps on drop drop droppin' today, as it's scoot scoot scootin' around, just a bop bop boppin' on down, baby...

Back in place around to stay. Here's the word; it's never heard:

Ecstacy, it's fallin' so free, it's all for you, for you and for me...

Bop bop boppin' along just a sing sing singin' a song, 'cause we're scat scat scattin' away, always creep creep creepin' today, well now...

Can't can't can't you see that it's call call callin' for me, and I'm take take takin' it out, as it's slip slip slidin' around, baby...

Back in place around to stay. Here's the word; never heard:

Ecstacy, fallin' free, all for you, for you and for me...

Time time movin' away, baby just hip hip hoppin' today, as we'll take take of ourselves and keep on bop bop boppin' so well.

Well just good good timin' away that keeps on drop drop droppin' today, as it's scoot scoot scootin' around, just a bop bop boppin' on down, baby...

Back in place around to stay. Here's the word; it's never heard:

Ecstacy, it's fallin' so free, it's all for you, for you and for me...

(improvisatory scat during fade out)

This uptempo groove track features some very subtle shades of keyboard and percussion. The piece consists of two sections. The A section begins the piece as an intro, and the lead vocal enters four bars later. Eight bars later, the triangle drops out, and the ride cymbal and hand percussion elements join the mix exclusively for the B section which has two parts. The A section then returns and the entire AB form is repeated twice. The piece then fades.

The harmonic elements of this tune feature the use of Lydian mode with a shifting tonal center. This type of modality along with the constant modulations keep the listener on the edge while also allowing the work to maintain a sense of unity and stability because of the modal similarity between each tonal center.

The lyrical content embraces the joy of nonsensical glossolalia that is commonly expressed by children who are singing songs and do not care what the lyrics may or may not be. This type of expression is completely silly and should not be taken seriously at all.

Seriously...

This track is free for personal use. It may be distributed freely and shared with anyone that wishes to listen to it at home, in a vehicle, or on a mobile device. No permission is needed to do this. If this track is desired as music for an internet presentation (such as a book trailer on Youtube or a blog) that will not be displayed anywhere in the mass media, then permission for this type of usage will be granted in exchange for credit and a functioning link to this website. Just contact Lee at the e-mail address below (or on Facebook or Twitter) after the presentation is online and a functioning link to this website is in place, so he can tweet it out and give it a "like"...

Lee@LeeFitzsimmons.com

For complete details about commercially licensing this track for radio airplay, television broadcasting, or any other sort of mass commercial distribution, contact Lee...

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Copyright 2014 by Lee Fitzsimmons